Showing posts with label IMMIGRATION. Show all posts
Showing posts with label IMMIGRATION. Show all posts

Saturday, 18 February 2017

SLAVOJ ZIZEK - AGAINST THE DOUBLE BLACKMAIL

























[CLICK ON THE IMAGE TO VIEW THE DOCUMENT]

Today, hundreds of thousands of people, desperate to escape war, violence and poverty, are crossing the Mediterranean to seek refuge in Europe. Our response from our protected European standpoint, argues Slavoj Zizek, offers two versions of ideological blackmail: either we open our doors as widely as possible; or we try to pull up the drawbridge. Both solutions are bad, states Zizek. They merely prolong the problem, rather than tackling it. 
The refugee crisis also presents an opportunity, a unique chance for Europe to redefine itself: but, if we are to do so, we have to start raising unpleasant and difficult questions. We must also acknowledge that large migrations are our future: only then can we commit to a carefully prepared process of change, one founded not on a community that see the excluded as a threat, but one that takes as its basis the shared substance of our social being. 
The only way, in other words, to get to the heart of one of the greatest issues confronting Europe today is to insist on the global solidarity of the exploited and oppressed. Maybe such solidarity is a utopia. But, warns Zizek, if we don't engage in it, then we are really lost. And we will deserve to be lost.

Sunday, 20 November 2016

MADE IN ATHENS: Reader I

























[CLICK ON THE IMAGE TO VIEW THE DOCUMENT]

MADE IN ATHENS: READER I is an ‘messy’ accumulation of papers, articles and re- ports that set to function both as an informative docu- ment for – and as a question towards the current socio-political and cultural nar- ratives produced in Athens (and in Greece in general). 
Spanning from 2013 till now, the texts aim to build a back- drop for Kuvataideakatamia’s visit to Athens (late February 2017). 
They address issues of media representation, the persecution on ‘ anomie’, of cur- rent artistic production and the implication of Documenta 14 – along with matters of migration, the refugee crisis and the rise of fascism. 
They are further examined through a series of audiovisual links (lectures, documentaries) listed on the side. 
Their reference to names, events and locations are meant to be investigated by the group and spark discus- sion on how to approach our visit to the Greek capital. 


Enjoy....