Showing posts with label BACK IN KUVA. Show all posts
Showing posts with label BACK IN KUVA. Show all posts

Wednesday, 10 May 2017

Some post-1st visit thoughts


Abject

Refugees, homeless people and concrete skeletons, victims of the crises as abjects; linked to taboos, no-zones

Crisis

Whose crisis is it? What does it mean to be in the state of crisis? Crisis of capitalism, crisis of democracy, personal crisis?

Daily encounters

Cats, cigarettes, construction sites, concrete skeletons, emptiness (possibility or failure, whose?), things in progress or under construction, people gathered around the fireplace in the dark, pieces of clothing in garbage bins, homelessness

To exoticize

When walking around the immigrant neighbourhood we – four English speaking girls - were the exotic ones, the ones not belonging here, those who are better to be kept at arm´s length.  People we encountered while walking the small alley kept a distance, took some side steps, avoided us. They expressed fear, not anger or curiosity. We were prepared to be the ones accused of exoticism. What and who is exotic and to whom? “Why are you here?”“What do you do here? Crisis tourism, the fear of exotisicism, object/subject

Graffiti

I found myself hesitating to call them graffiti. Texts or writings felt better. Why?  In Athens, it was about something else. To take over the public space? To shout in public? A claim for social change? If, who has a moral right to do so and where? Vandalism or political activism?

Hope

One thing repeated in the street writings was hope. Hope for what? Better future? What does it include? Could I collect dreams and only dreams? To forget the dystopian features? Collective dreaming? What are you dreaming of?

Justice

Shift from law to justice; value, principle, cultural, social?

Politics+art

Is there art without politics? Is art always mingling with politics?

Structural elements or dimensions

vertical/horizontal, top down/bottom-up, private/public structures, “heart structure”, the core of the city, insider/outsider, introvert/extrovert, people as structures, social borders

Truth

What is my truth, your truth? Our guests, politicians, media – all have their own truth. Whose truth is the prevailing truth? In the end, what is the difference between opinion and truth? What are the counter narratives?

Sunday, 20 November 2016

MADE IN ATHENS: Reader I

























[CLICK ON THE IMAGE TO VIEW THE DOCUMENT]

MADE IN ATHENS: READER I is an ‘messy’ accumulation of papers, articles and re- ports that set to function both as an informative docu- ment for – and as a question towards the current socio-political and cultural nar- ratives produced in Athens (and in Greece in general). 
Spanning from 2013 till now, the texts aim to build a back- drop for Kuvataideakatamia’s visit to Athens (late February 2017). 
They address issues of media representation, the persecution on ‘ anomie’, of cur- rent artistic production and the implication of Documenta 14 – along with matters of migration, the refugee crisis and the rise of fascism. 
They are further examined through a series of audiovisual links (lectures, documentaries) listed on the side. 
Their reference to names, events and locations are meant to be investigated by the group and spark discus- sion on how to approach our visit to the Greek capital. 


Enjoy.... 

GREEK BREAKFAST: MADE IN ATHENS Preliminary Session


GREEK BREAKFAST – Made in Athens was a late breakfast seminar that highlighted and critically questioned the narratives that made/make Athens a focal location within the socio-political and cultural landscape of Europe. 


















The seminar was an one-way ticket in the selection process of a group of 10 KuvA students that will be embarking on a long term trajectory to the city of Athens in connection to Documenta 14. The program includes a first visit+workshop in Athens in late February 2017, lecture series in spring in Helsinki and a follow up visit + workshop in late spring in the midst of the Documenta 14 exhibition.


















Territories of socio-political turbulences have always been of interest to art, for they are the loci where the potentiality of change appears more evident. And certainly Athens is not exception to that. During 2017 KuvA organizes an educational trajectory created in an unconstrained relation involving multiple artists, artist run spaces and institutions in the city of Athens. This trajectory wishes to take a rather subtle approach in relation to the current cultural invasion in the Greek capital. At the same time it aims to produce both the theoretical and concrete understanding about the economic, political, social, and cultural conditions in contemporary Europe. It aims to also function as a platform of sharing the personal narratives and practical experiences of the possibilities and obstacles for creative thinking and artistic work in certain territory.  










Through a series of screenings (documentaries, films, public talks), collective cooking, a reading corner and open discussions, Nikos Doulos set the backdrop for KuvA’s upcoming workshops in the Greek capital.